- No character ever stands in front of the mirror and narrates what he or she looks like. No matter how sexy, tortured, or intelligent he or she may be.
- #1 also, sadly, includes rain-stained windows.
- When one of your stories is being workshopped, if someone says “I– I just don’t get it,” ignore that person for the entire semester. In extreme cases of annoyance, ignore that person for the entire program.
- In said workshop, make note at what point in the story “I don’t get it” was discussed, and make sure you get it yourself. If you don’t, rewrite.
- “Muttered,” “sputtered,” “scoffed,” and/or “declared” will never, ever take the place of “said.” No matter how hard you try. Elmore Leonard doesn’t lie.
- Most of the time, your stories really do suck. Unfortunately, no one has the nuts to tell you so. No one but yourself. Rewrite some more.
- Writing is actually pretty easy — all you need is concentration; enough personal insight to know what you really want to say; thick skin against all criticism, including “I don’t get it;” and the muscle to throw your heart, bleeding and pumping onto the blank page, exposing it for all the boots and Manolos willing to dig in their well-worn heels and make you bleed even more. Easy.
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Comments 3
This is brilliant. My favorite is #3.
Posted 21 Jul 2006 at 10:28 am ¶I think that is really hilarious. It reminds me of my highschool summers working at poetry seminars.
Posted 28 Aug 2006 at 5:55 pm ¶I have wondered for a long time if getting an MFA is worth it.
But after reading #1 and #6, I think it might be. I’ve been guilty of number #1 for sure. Dear lord. What else am I doing that is just bad, bad, bad writing?
Love your blog, btw!
Posted 09 Feb 2010 at 5:07 pm ¶Trackbacks & Pingbacks 1
[...] There’s some MFA and workshop bashing over at Randa Jarrar’s blog Rockslinga. I’ve been known to dis some aspects of the Workshop every now and then, so I can get with the sentiment. Though the comments seem a little bitter… [...]
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